In Brendon's work, he has always confronts blackness in relation to different spaces and time. The conception of the face, the black facial features, and the infinite, are central to this image research. In his works on "Infinite faces" he brings to the surface fragments of black faces as if the figure were there as a dualistic, belonging, eternal unknown.

Year: 2021
Medium: Oil paint and oily pastel chalk on 300g canson paper
Dimensions: 11.7" x 16.5"

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